Klaus Obermaier

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About

Klaus Obermaier is a pioneering figure in the field of digital media art, with a primary focus on interactive performance, audience participation, and the evolving relationship between technology and the stage. His work critically examines how digital culture—characterized by co-creation and user-generated content—transforms traditional notions of spectatorship and artistic authorship. Obermaier’s most cited paper, *“The (St)Age of Participation: audience involvement in interactive performances”* (2013, 17 citations), offers a foundational analysis of how contemporary media art can harness participatory dynamics to redefine the live performance experience. This work has been influential in shaping discussions around immersive and interactive theater, positioning Obermaier as a key thinker in the intersection of art, technology, and audience agency. Beyond this publication, his broader contributions include groundbreaking multimedia installations and performances that integrate real-time motion tracking, generative visuals, and sound, often blurring the lines between performer and viewer. His innovative approach has earned him international recognition, including awards and invitations to major festivals and galleries. For students and researchers exploring the frontiers of digital performance, Obermaier’s work remains an essential touchstone for understanding how participation reshapes the stage.