Dancing with the Nonhuman

Abstract

We propose that feminist reconceptualisations of agency and difference could dramatically expand our possibilities for both relating to robots in social scenarios and designing them as social agents. A performative approach to human-robot interaction favors the artefact's relational, participatory capacities over representational attributes to explore the meaning-making potential of human-machine couplings rather than the predefined meaning of an individual robotic agent. We discuss the feminist concepts of intra-action and diffraction and explore how they could expand our understanding of the workings of the interference patterns that characterize human-robot relationships. Our collaborative Machine Movement Lab project serves as a case study to look at the situated enactment of the subjects and objects that shape our human-robot relationships through the embodied lens of performance-making.