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Experiences from the use of a robotic avatar in a museum setting

Μαρία Ρούσσου, Panos Trahanias, George Giannoulis, George Kamarinos, Antonis Argyros, Dimitris P. Tsakiris, Pantelis Georgiadis, Wolfram Burgard, Dirk Haehnel, Armin B. Cremers, Dirk Schulz, Mark Moors, Elias Spirtounias, Mika Marianthi, Vassilis Savvaides, Alexandra Reitelman, Dimitrios Konstantios, Andromachi Katselaki

Year
2001
Citations
18

Abstract

Access to cultural exhibits is a central issue in museums and exhibition galleries that is recently approached under a new, technological perspective. Although the cultural industries' practices in the cases of museums and cultural exhibits have remained practically unchanged for long, in recent years we are witnessing a gradual adoption of media-technologies in various aspects, such as collections archiving and digital document preservation, media- and Web-presentation, graphical animations, etc. Lately, Internet and Web-based technologies have been employed for providing access, mostly to images of exhibited objects. In few cases, the incorporation of higher-end technology, such as virtual reality, artificial intelligence, or robotics, is explored. In this paper we present such an effort, the TOURBOT project (an acronym for TOUr-guide RoBOT), which emphasizes the development of alternative ways for interactive museum telepresence, essentially through the use of robotic "avatars", and comment on the experience gained from its use in a museum setting.

Keywords

AvatarComputer scienceHuman–computer interactionRobotComputer graphics (images)MultimediaComputer visionArtificial intelligence

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