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PERCEPTION

Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness and Symbiosis between Physical and Virtual Media

Marco Pinter

发表年份
2018
引用次数
2

摘要

October 01 2018 Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness and Symbiosis between Physical and Virtual Media Marco Pinter Marco Pinter Marco Pinter: contact@fusion-artist.com. PhD thesis, University of California, Santa Barbara, U.S.A., 2015. Search for other works by this author on: This Site Google Scholar Author and Article Information Marco Pinter Marco Pinter: contact@fusion-artist.com. PhD thesis, University of California, Santa Barbara, U.S.A., 2015. Online Issn: 1530-9282 Print Issn: 0024-094X ©2018 ISAST2018ISAST Leonardo (2018) 51 (5): 529. https://doi.org/10.1162/leon_a_01666 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Marco Pinter; Robotic Sculpture Development through Appropriated Choreographic Strategies, Facilitating Artistic Exploration of Visual Perception, Object-ness and Symbiosis between Physical and Virtual Media. Leonardo 2018; 51 (5): 529. doi: https://doi.org/10.1162/leon_a_01666 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsLeonardo Search Advanced Search This content is only available as a PDF. ©2018 ISAST2018ISAST Article PDF first page preview Close Modal Supplementary data Object Permanence seriesThe Object Permanence series explores our perception of the existence of objects over time, which is fundamental to how we experience the world. By exploiting the perceptual effect of object permanence via graphics and robotic sculpture, the viewer perceives objects over time which do not in fact exist. (Video © Marco Pinter. Photography by Fred Hatt Nick Loewen, edited by Ethan Turpin. Object Permanence I copyright Marco Pinter. Object Permanence II copyright Marco Pinter Nick Loewen.)- mp4 file Intervention with Object PermanenceThe Object Permanence series explores our perception of the existence of objects over time, through graphics and robotic sculpture. In this performance intervention, three dancers move with the installation, integrating its choreography into their own improvisation. (© Marco Pinter with dancers Kaita Lepore Mrazek, Tim Wood and Malcolm McCarthy.)- mp4 file Pas de Trois, Adagio"Pas de Trois: Adagio" explores an ambiguous boundary between the corporeal and the technological. The work utilizes choreographic strategies from the domain of dance and realized via robotic motors. Each of the three "dancers" is embodied in a different material: a rope, a set of scarves, and an extruded lycra/spandex panel. (© Marco Pinter)- mp4 file You do not currently have access to this content.

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IconObject (grammar)CitationVisual artsSculptureArtPerceptionComputer scienceWorld Wide WebMultimedia

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