Proceedings of the International Conference on New Interfaces for Musical Expression

摘要

Editors: Alexander Refsum Jensenius, Anders Tveit, Rolf Inge Godøy, Dan Overholt\nTable of Contents\n\n-Tellef Kvifte: Keynote Lecture 1: Musical Instrument User Interfaces: the Digital Background of the Analog Revolution - page 1\n-David Rokeby: Keynote Lecture 2: Adventures in Phy-gital Space - page 2 \n-Sergi Jordà: Keynote Lecture 3: Digital Lutherie and Multithreaded Musical Performance: Artistic, Scientific and Commercial Perspectives - page 3\n\nPaper session A — Monday 30 May 11:00–12:30 \n-Dan Overholt: The Overtone Fiddle: an Actuated Acoustic Instrument - page 4 \n-Colby Leider, Matthew Montag, Stefan Sullivan and Scott Dickey: A Low-Cost, Low-Latency Multi-Touch Table with Haptic Feedback for Musical Applications - page 8 \n-Greg Shear and Matthew Wright: The Electromagnetically Sustained Rhodes Piano - page 14\n-Laurel Pardue, Christine Southworth, Andrew Boch, Matt Boch and Alex Rigopulos: Gamelan Elektrika: An Electronic Balinese Gamelan - page 18\n-Jeong-Seob Lee and Woon Seung Yeo: Sonicstrument: A Musical Interface with Stereotypical Acoustic Transducers - page 24\n\nPoster session B— Monday 30 May 13:30–14:30 \n-Scott Smallwood: Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies - page 28\n-Niklas Klügel, Marc René Frieß and Georg Groh: An Approach to Collaborative Music Composition - page 32\n-Nicolas Gold and Roger Dannenberg: A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems - page 36\n-Mark Bokowiec: V’OCT (Ritual): An Interactive Vocal Work for Bodycoder System and 8 Channel Spatialization - page 40\n-Florent Berthaut, Haruhiro Katayose, Hironori Wakama, Naoyuki Totani and Yuichi Sato: First Person Shooters as Collaborative Multiprocess Instruments - page 44\n-Tilo Hähnel and Axel Berndt: Studying Interdependencies in Music Performance: An Interactive Tool - page 48\n-Sinan Bokesoy and Patrick Adler: 1city 1001vibrations: development of a interactive sound installation with robotic instrument performance - page 52\n-Tim Murray-Browne, Di Mainstone, Nick Bryan-Kinns and Mark D. Plumbley:The medium is the message: Composing instruments and performing mappings - page 56\n-Seunghun Kim, Luke Keunhyung Kim, Songhee Jeong and Woon Seung Yeo: Clothesline as a Metaphor for a Musical Interface - page 60\n-Pietro Polotti and Maurizio Goina: EGGS in action - page 64\n-Berit Janssen: A Reverberation Instrument Based on Perceptual Mapping - page 68\n-Lauren Hayes: Vibrotactile Feedback-Assisted Performance - page 72\n-Daichi Ando: Improving User-Interface of Interactive EC for Composition-Aid by means of Shopping Basket Procedure - page 76\n-Ryan McGee, Yuan-Yi Fan and Reza Ali: BioRhythm: a Biologically-inspired Audio-Visual Installation - page 80\n-Jon Pigott: Vibration, Volts and Sonic Art: A practice and theory of electromechanical sound - page 84\n-George Sioros and Carlos Guedes: Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator - page 88\n-Andre Goncalves: Towards a Voltage-Controlled Computer — Control and Interaction Beyond an Embedded System - page 92\n-Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto and Shigeki Sagayama: Polyhymnia: An automatic piano performance system with statistical modeling of polyphonic expression and musical symbol interpretation - page 96\n-Juan Pablo Carrascal and Sergi Jorda: Multitouch Interface for Audio Mixing - page 100\n-Nate Derbinsky and Georg Essl: Cognitive Architecture in Mobile Music Interactions - page 104\n-Benjamin D. Smith and Guy E. Garnett: The Self-Supervising Machine - page 108\n-Aaron Albin, Sertan Senturk, Akito Van Troyer, Brian Blosser, Oliver Jan and Gil Weinberg: Beatscape, a mixed virtual-physical environment for musical ensembles - page 112\n-Marco Fabiani, Gaël Dubus and Roberto Bresin: MoodifierLive: Interactive and collaborative expressive music performance on mobile devices - page 116\n-Benjamin Schroeder, Marc Ainger and Richard Parent: A P